4.4BUBBLE
8.0BOOM
BEQ 9.1
The Mitchells vs. the Machines (2021)DEMO 5.9
AdventureScience FictionFamilyComedyActionAnimationStream · Netflix · DD+IMDb ↗TomatometerRT 97%2022MetascoreMC2025 81
H1.1
S2.0
C10.0
bed
height
The Mitchells vs. the Machines (2021)
DEMO 5.9 · BUBBLE 4.4 · BOOM 8.0 (with BEQ 9.1). Bass measured on the streaming release (Netflix), DD+. Directed by Jeff Rowe, Mike Rianda. Adventure, Science Fiction, Family, Comedy, Action, Animation.
Front
30%
L50%
29%
R51%
100%
C90%
LFE
18%
LFE23%
Surround
12%
Ls33%
13%
Rs34%
2%
Lrs7%
3%
Rrs7%
Wide
1%
Lw2%
1%
Rw2%
Height
1%
Ltf2%
1%
Rtf2%
3%
Ltm9%
3%
Rtm8%
1%
Ltr2%
1%
Rtr2%
Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.
- DEMO
- 5.9 / 10
- Bubble
- 4.4 / 10
- Boom, as released
- 8.0 / 10
- Boom with BEQ
- 9.1 / 10
- Measured release
- Streaming (Netflix) · DD+ · chart by aron7awol
- Also in the catalogue
- Disc · DTS-HD MA 5.1 — not measured here
- Deep bass peak, 10–30 Hz
- -19.1 dBFS · with BEQ -14.8
- Depth, 10–20 vs 30–60 Hz
- -1.9 dB · with BEQ +6.1
- Average level, 10–30 Hz
- -45.4 dBFS · with BEQ -41.1
- Minutes of deep bass
- 46 min · with BEQ 48 min at ≥ −30 dBFS
- Filtered release
- its BEQ restores up to 16.7 dB at 10–20 Hz
- Tomatometer
- 97% · as of 29 Nov 2022
- Metascore
- 81 / 100 · as of 14 Jul 2025
- Chart scale read
- -10 to -70.3 dBFS
- Height uptime
- 4.2%
- LFE uptime
- 23.2% (shown, not scored)
- Dynamic range
- 27.6 dB
- Channels used
- 16 of 16
- Genres
- Adventure, Science Fiction, Family, Comedy, Action, Animation
- Tags
- apocalyptic, road movie, science fiction
- Audio
- DD+, DD+ Atmos, DTS-HD MA 5.1
- Released
- 22 Apr 2021
- First listed
- 4 Dec 2018
- Sources
- PerceptualPro + BEQ
- Render
- current
Channel by channel, through the film
One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.
Front
L
50%
R
51%
C
90%
LFE
LFE
23%
Surround
Ls
33%
Rs
34%
Lrs
6.5%
Rrs
7.0%
Wide
Lw
1.7%
Rw
1.7%
Height
Ltf
2.3%
Rtf
2.2%
Ltm
8.8%
Rtm
8.1%
Ltr
1.8%
Rtr
1.8%
0:000:551:50
Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.