8.6BUBBLE
5.8BOOM
BEQ 8.0
The Furious (2026)DEMO 7.1
H6.0
S2.6
C10.0
bed
height
The Furious (2026)
DEMO 7.1 · BUBBLE 8.6 · BOOM 5.8 (with BEQ 8.0). Bass measured on the disc, DD+ Atmos. Directed by Kenji Tanigaki. Action, Crime, Thriller.
Front
37%
L83%
36%
R85%
100%
C96%
LFE
11%
LFE47%
Surround
11%
Ls60%
11%
Rs61%
14%
Lrs56%
13%
Rrs54%
Wide
1%
Lw4%
1%
Rw4%
Height
1%
Ltf6%
1%
Rtf7%
22%
Ltm71%
22%
Rtm71%
2%
Ltr10%
2%
Rtr9%
Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.
- DEMO
- 7.1 / 10
- Bubble
- 8.6 / 10
- Boom, as released
- 5.8 / 10
- Boom with BEQ
- 8.0 / 10
- Measured release
- Disc · DD+ Atmos · Dialnorm Compensation: 6dB · chart by remixmark
- Also in the catalogue
- Disc · Atmos — not measured here
- Deep bass peak, 10–30 Hz
- -26.6 dBFS · with BEQ -20.0
- Depth, 10–20 vs 30–60 Hz
- -4.4 dB · with BEQ +2.1
- Average level, 10–30 Hz
- -54.5 dBFS · with BEQ -47.9
- Minutes of deep bass
- 17 min · with BEQ 42 min at ≥ −30 dBFS
- Chart scale read
- -10 to -60.1 dBFS
- Height uptime
- 28.2%
- LFE uptime
- 30.8% (shown, not scored)
- Dynamic range
- 18.6 dB
- Channels used
- 16 of 16
- Genres
- Action, Crime, Thriller
- Tags
- action
- Audio
- DD+ Atmos, Atmos
- Released
- 10 Jun 2026
- First listed
- 7 Jul 2026
- Sources
- PerceptualPro + BEQ
- Render
- older, corrected
Channel by channel, through the film
One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.
Front
L
83%
R
85%
C
96%
LFE
LFE
47%
Surround
Ls
60%
Rs
60%
Lrs
55%
Rrs
54%
Wide
Lw
4.1%
Rw
4.4%
Height
Ltf
6.3%
Rtf
6.5%
Ltm
71%
Rtm
71%
Ltr
9.6%
Rtr
9.1%
0:000:571:53
Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.