Atmos Bubble and boom! Index measured, not opinion

The Fugitive (1993)

DEMO 4.1 · BUBBLE 4.5 · BOOM 3.7 (with BEQ 7.2). Bass measured on the disc, Atmos. Directed by Andrew Davis. Thriller, Crime, Mystery, Adventure, Action.

The Fugitive (1993) poster
Front
53%
L64%
57%
R65%
100%
C94%
LFE
9%
LFE16%
Surround
7%
Ls17%
7%
Rs18%
6%
Lrs16%
7%
Rrs17%
Wide
0%
Lw0%
0%
Rw0%
Height
4%
Ltf10%
5%
Rtf11%
0%
Ltm0%
0%
Rtm0%
4%
Ltr12%
5%
Rtr12%

Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.

DEMO
4.1 / 10
Bubble
4.5 / 10
Boom, as released
3.7 / 10
Boom with BEQ
7.2 / 10
Measured release
Disc · Atmos · chart by t1g8rsfan
Deep bass peak, 10–30 Hz
-33.1 dBFS · with BEQ -18.6
Depth, 10–20 vs 30–60 Hz
-12.2 dB · with BEQ +4.2
Average level, 10–30 Hz
-62.8 dBFS · with BEQ -48.2
Minutes of deep bass
1 min · with BEQ 8 min at ≥ −30 dBFS
Filtered release
its BEQ restores up to 19.8 dB at 10–20 Hz
Tomatometer
96% · as of 14 Aug 2024
Metascore
87 / 100 · as of 14 Jul 2025
Chart scale read
-10 to -70 dBFS
Height uptime
7.5%
LFE uptime
15.5% (shown, not scored)
Dynamic range
27.0 dB
Channels used
16 of 16
Genres
Thriller, Crime, Mystery, Adventure, Action
Tags
action, crime, detective, thriller
Audio
DTS-HD MA 5.1, Atmos
Released
6 Aug 1993
First listed
16 Jan 2022
Sources
PerceptualPro + BEQ
Render
current

Channel by channel, through the film

One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.

Front
L
64%
R
65%
C
94%
LFE
LFE
15%
Surround
Ls
17%
Rs
18%
Lrs
16%
Rrs
17%
Wide
Lw
0.2%
Rw
0.2%
Height
Ltf
10%
Rtf
11%
Ltm
0.1%
Rtm
0.2%
Ltr
11%
Rtr
12%
0:001:062:11

Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.

See it in the index →  ·  All films