Atmos Bubble and boom! Index measured, not opinion

The Equalizer 3 (2023)

DEMO 5.1 · BUBBLE 5.2 · BOOM 5.0 (with BEQ 7.7). Bass measured on the disc, Atmos. Directed by Antoine Fuqua. Action, Thriller, Crime.

The Equalizer 3 (2023) poster
Front
33%
L54%
34%
R53%
100%
C96%
LFE
11%
LFE25%
Surround
13%
Ls31%
14%
Rs31%
6%
Lrs23%
6%
Rrs23%
Wide
2%
Lw5%
3%
Rw6%
Height
4%
Ltf13%
4%
Rtf13%
2%
Ltm3%
1%
Rtm2%
2%
Ltr11%
2%
Rtr10%

Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.

DEMO
5.1 / 10
Bubble
5.2 / 10
Boom, as released
5.0 / 10
Boom with BEQ
7.7 / 10
Measured release
Disc · Atmos · chart by t1g8rsfan
Deep bass peak, 10–30 Hz
-26.9 dBFS · with BEQ -17.4
Depth, 10–20 vs 30–60 Hz
-13.2 dB · with BEQ +2.5
Average level, 10–30 Hz
-54.8 dBFS · with BEQ -45.3
Minutes of deep bass
15 min · with BEQ 20 min at ≥ −30 dBFS
Filtered release
its BEQ restores up to 21.6 dB at 10–20 Hz
Tomatometer
76% · as of 30 Nov 2023
Metascore
58 / 100 · as of 5 Jan 2026
Chart scale read
-10 to -70.1 dBFS
Height uptime
5.7%
LFE uptime
12.6% (shown, not scored)
Dynamic range
28.9 dB
Channels used
16 of 16
Genres
Action, Thriller, Crime
Tags
action, crime, drama, thriller, vigilante
Audio
DD+ 5.1, Atmos
Released
30 Aug 2023
First listed
3 Oct 2023
Sources
PerceptualPro + BEQ
Render
older, corrected

Channel by channel, through the film

One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.

Front
L
54%
R
53%
C
96%
LFE
LFE
25%
Surround
Ls
31%
Rs
31%
Lrs
23%
Rrs
23%
Wide
Lw
4.9%
Rw
6.4%
Height
Ltf
13%
Rtf
13%
Ltm
2.5%
Rtm
2.0%
Ltr
11%
Rtr
10%
0:000:551:49

Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.

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