The Devil Wears Prada 2 (2026)
DEMO 4.0 · BUBBLE 4.5 · BOOM 3.6 (with BEQ 7.6). Bass measured on the disc, Atmos. Directed by David Frankel. Comedy, Drama.

4.5BUBBLE
3.6BOOM
BEQ 7.6
H0.3
S3.5
C10.0
bed
height
Front
33%
L47%
34%
R49%
100%
C88%
LFE
4%
LFE9%
Surround
14%
Ls25%
14%
Rs25%
8%
Lrs18%
8%
Rrs19%
Wide
1%
Lw2%
1%
Rw2%
Height
0%
Ltf1%
0%
Rtf0%
1%
Ltm4%
1%
Rtm4%
0%
Ltr0%
0%
Rtr0%
Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.
- DEMO
- 4.0 / 10
- Bubble
- 4.5 / 10
- Boom, as released
- 3.6 / 10
- Boom with BEQ
- 7.6 / 10
- Measured release
- Disc · Atmos · chart by mikejl
- Also in the catalogue
- Disc · DD+; Disc · DD+ Atmos — not measured here
- Deep bass peak, 10–30 Hz
- -36.4 dBFS · with BEQ -19.4
- Depth, 10–20 vs 30–60 Hz
- -7.4 dB · with BEQ +9.8
- Average level, 10–30 Hz
- -66.2 dBFS · with BEQ -49.2
- Minutes of deep bass
- 0 min · with BEQ 11 min at ≥ −30 dBFS
- Filtered release
- its BEQ restores up to 21.0 dB at 10–20 Hz
- Chart scale read
- -10 to -70.3 dBFS
- Height uptime
- 1.4%
- LFE uptime
- 9.1% (shown, not scored)
- Dynamic range
- 23.4 dB
- Channels used
- 16 of 16
- Genres
- Comedy, Drama
- Tags
- comedy, comedy drama, drama
- Audio
- Atmos, DD+, DD+ Atmos
- Released
- 20 Apr 2026
- First listed
- 1 Jul 2026
- Sources
- PerceptualPro + BEQ
- Render
- current
Channel by channel, through the film
One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.
Front
L
46%
R
49%
C
88%
LFE
LFE
9.1%
Surround
Ls
25%
Rs
25%
Lrs
18%
Rrs
19%
Wide
Lw
2.0%
Rw
1.9%
Height
Ltf
0.7%
Rtf
0.4%
Ltm
3.5%
Rtm
3.7%
Ltr
0.1%
Rtr
0.1%
0:000:601:59
Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.