8.0BUBBLE
2.3BOOM
BEQ 7.3
Rocky Mountain Express (2011)DEMO 4.3
H3.8
S4.7
C10.0
bed
height
Rocky Mountain Express (2011)
DEMO 4.3 · BUBBLE 8.0 · BOOM 2.3 (with BEQ 7.3). Bass measured on the disc, Atmos. Directed by Stephen Low. Documentary.
Front
39%
L58%
36%
R60%
100%
C89%
LFE
19%
LFE34%
Surround
4%
Ls6%
3%
Rs5%
35%
Lrs55%
28%
Rrs51%
Wide
18%
Lw32%
16%
Rw33%
Height
5%
Ltf4%
3%
Rtf3%
18%
Ltm37%
18%
Rtm38%
6%
Ltr5%
4%
Rtr4%
Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.
- DEMO
- 4.3 / 10
- Bubble
- 8.0 / 10
- Boom, as released
- 2.3 / 10
- Boom with BEQ
- 7.3 / 10
- Measured release
- Disc · Atmos · chart by aron7awol
- Deep bass peak, 10–30 Hz
- -39.3 dBFS · with BEQ -20.1
- Depth, 10–20 vs 30–60 Hz
- -26.7 dB · with BEQ +1.7
- Average level, 10–30 Hz
- -64.2 dBFS · with BEQ -44.9
- Minutes of deep bass
- 10 min · with BEQ 16 min at ≥ −30 dBFS
- Filtered release
- its BEQ restores up to 34.3 dB at 10–20 Hz
- Chart scale read
- -10 to -69.8 dBFS
- Height uptime
- 15.1%
- LFE uptime
- 34.1% (shown, not scored)
- Dynamic range
- 25.4 dB
- Channels used
- 16 of 16
- Genres
- Documentary
- Audio
- Atmos
- Released
- 30 Sep 2011
- First listed
- 4 Dec 2018
- Sources
- PerceptualPro + BEQ
- Render
- current
Channel by channel, through the film
One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.
Front
L
58%
R
59%
C
89%
LFE
LFE
34%
Surround
Ls
6.0%
Rs
5.4%
Lrs
55%
Rrs
51%
Wide
Lw
32%
Rw
33%
Height
Ltf
3.7%
Rtf
3.4%
Ltm
37%
Rtm
37%
Ltr
4.5%
Rtr
4.4%
0:000:230:46
Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.