Requiem for a Dream (2000)
DEMO 5.6 · BUBBLE 6.1 · BOOM 5.2 (with BEQ 6.3). Bass measured on the disc, Atmos. Directed by Darren Aronofsky. Drama, Crime, Thriller.

6.1BUBBLE
5.2BOOM
BEQ 6.3
H3.4
S1.8
C10.0
bed
height
Front
35%
L36%
35%
R37%
100%
C72%
LFE
2%
LFE3%
Surround
8%
Ls12%
10%
Rs15%
6%
Lrs11%
7%
Rrs12%
Wide
1%
Lw1%
1%
Rw1%
Height
7%
Ltf12%
7%
Rtf11%
6%
Ltm10%
7%
Rtm11%
5%
Ltr8%
5%
Rtr10%
Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.
- DEMO
- 5.6 / 10
- Bubble
- 6.1 / 10
- Boom, as released
- 5.2 / 10
- Boom with BEQ
- 6.3 / 10
- Measured release
- Disc · Atmos · chart by aron7awol
- Deep bass peak, 10–30 Hz
- -29.6 dBFS · with BEQ -25.5
- Depth, 10–20 vs 30–60 Hz
- -2.9 dB · with BEQ +2.9
- Average level, 10–30 Hz
- -58.8 dBFS · with BEQ -54.8
- Minutes of deep bass
- 7 min · with BEQ 10 min at ≥ −30 dBFS
- Tomatometer
- 80% · as of 11 Jan 2026
- Metascore
- 71 / 100 · as of 11 Jan 2026
- Chart scale read
- -10 to -70.3 dBFS
- Height uptime
- 10.3%
- LFE uptime
- 3.0% (shown, not scored)
- Dynamic range
- 36.7 dB
- Channels used
- 16 of 16
- Genres
- Drama, Crime, Thriller
- Tags
- drama
- Audio
- Atmos
- Released
- 27 Oct 2000
- First listed
- 4 Dec 2018
- Sources
- PerceptualPro + BEQ
- Render
- current
Channel by channel, through the film
One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.
Front
L
36%
R
37%
C
72%
LFE
LFE
3.0%
Surround
Ls
12%
Rs
14%
Lrs
11%
Rrs
12%
Wide
Lw
1.0%
Rw
0.9%
Height
Ltf
12%
Rtf
11%
Ltm
9.8%
Rtm
11%
Ltr
7.7%
Rtr
9.6%
0:000:511:42
Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.