Ready or Not: Here I Come (2026)
DEMO 5.6 · BUBBLE 4.7 · BOOM 6.6 (with BEQ 8.4). Bass measured on the disc, DTS-HD MA 5.1. Directed by Matt Bettinelli-Olpin, Tyler Gillett. Thriller, Horror, Comedy.

Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.
- DEMO
- 5.6 / 10
- Bubble
- 4.7 / 10
- Boom, as released
- 6.6 / 10
- Boom with BEQ
- 8.4 / 10
- Measured release
- Disc · DTS-HD MA 5.1 · Dialnorm Compensation: 4dB · chart by remixmark
- Also in the catalogue
- Disc · DTS-HD MA 5.1 / DD+ Atmos / DD+ — not measured here
- Deep bass peak, 10–30 Hz
- -22.4 dBFS · with BEQ -17.0
- Depth, 10–20 vs 30–60 Hz
- -2.9 dB · with BEQ +5.7
- Average level, 10–30 Hz
- -51.2 dBFS · with BEQ -45.8
- Minutes of deep bass
- 21 min · with BEQ 36 min at ≥ −30 dBFS
- Sub-bass warning
- the disc peaks at -18.5 dBFS at 10 Hz — top of the field; mind ports and driver excursion
- Filtered release
- its BEQ restores up to 11.7 dB at 10–20 Hz
- Chart scale read
- -10 to -60.1 dBFS
- Height uptime
- 6.0%
- LFE uptime
- 12.9% (shown, not scored)
- Dynamic range
- 25.5 dB
- Channels used
- 16 of 16
- Genres
- Thriller, Horror, Comedy
- Tags
- black comedy, comedy horror, horror
- Audio
- DTS-HD MA 5.1, DD+ Atmos, DD+
- Released
- 19 Mar 2026
- First listed
- 8 Jun 2026
- Sources
- PerceptualPro + BEQ
- Render
- older, corrected
Channel by channel, through the film
One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.
Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.