Murder on the Orient Express (2017)
DEMO 5.3 · BUBBLE 4.7 · BOOM 5.9 (with BEQ 8.3). Bass measured on the disc, Atmos. Directed by Kenneth Branagh. Crime, Drama, Mystery.

4.7BUBBLE
5.9BOOM
BEQ 8.3
H1.4
S2.2
C10.0
bed
height
Front
27%
L35%
26%
R35%
100%
C89%
LFE
4%
LFE5%
Surround
9%
Ls14%
8%
Rs14%
6%
Lrs12%
5%
Rrs11%
Wide
0%
Lw1%
0%
Rw1%
Height
1%
Ltf2%
2%
Rtf2%
4%
Ltm9%
4%
Rtm8%
1%
Ltr1%
1%
Rtr1%
Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.
- DEMO
- 5.3 / 10
- Bubble
- 4.7 / 10
- Boom, as released
- 5.9 / 10
- Boom with BEQ
- 8.3 / 10
- Measured release
- Disc · Atmos · chart by aron7awol
- Deep bass peak, 10–30 Hz
- -29.5 dBFS · with BEQ -21.6
- Depth, 10–20 vs 30–60 Hz
- -5.2 dB · with BEQ +6.2
- Average level, 10–30 Hz
- -60.4 dBFS · with BEQ -52.5
- Filtered release
- its BEQ restores up to 12.5 dB at 10–20 Hz
- Tomatometer
- 60% · as of 10 Oct 2024
- Metascore
- 52 / 100 · as of 30 Aug 2025
- Chart scale read
- -10 to -70.2 dBFS
- Height uptime
- 3.7%
- LFE uptime
- 5.0% (shown, not scored)
- Dynamic range
- 26.7 dB
- Channels used
- 16 of 16
- Genres
- Crime, Drama, Mystery
- Tags
- crime, detective, drama, mystery
- Audio
- Atmos, DD+ Atmos
- Released
- 3 Nov 2017
- First listed
- 4 Dec 2018
- Sources
- PerceptualPro + BEQ
- Render
- current
Channel by channel, through the film
One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.
Front
L
35%
R
35%
C
89%
LFE
LFE
5.0%
Surround
Ls
14%
Rs
14%
Lrs
12%
Rrs
11%
Wide
Lw
0.6%
Rw
0.5%
Height
Ltf
1.7%
Rtf
1.7%
Ltm
8.5%
Rtm
7.8%
Ltr
1.4%
Rtr
1.4%
0:000:571:54
Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.