5.5BUBBLE
7.3BOOM
BEQ 7.4
Inferno (2016)DEMO 6.3
H1.7
S3.2
C10.0
bed
height
Inferno (2016)
DEMO 6.3 · BUBBLE 5.5 · BOOM 7.3 (with BEQ 7.4). Bass measured on the disc, Atmos. Directed by Ron Howard. Mystery, Thriller, Drama.
Front
39%
L73%
39%
R76%
100%
C94%
LFE
6%
LFE20%
Surround
13%
Ls36%
13%
Rs38%
12%
Lrs39%
12%
Rrs42%
Wide
1%
Lw8%
1%
Rw8%
Height
4%
Ltf14%
4%
Rtf14%
2%
Ltm5%
1%
Rtm5%
3%
Ltr10%
2%
Rtr8%
Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.
- DEMO
- 6.3 / 10
- Bubble
- 5.5 / 10
- Boom, as released
- 7.3 / 10
- Boom with BEQ
- 7.4 / 10
- Measured release
- Disc · Atmos · chart by aron7awol
- Deep bass peak, 10–30 Hz
- -20.9 dBFS · with BEQ -20.4
- Depth, 10–20 vs 30–60 Hz
- -2.7 dB · with BEQ -1.9
- Average level, 10–30 Hz
- -49.1 dBFS · with BEQ -48.7
- Minutes of deep bass
- 38 min · with BEQ 36 min at ≥ −30 dBFS
- Chart
- its scale clips the curve, so the peak is at least what is shown
- Tomatometer
- 23% · as of 14 Aug 2024
- Metascore
- 42 / 100 · as of 14 Jul 2025
- Chart scale read
- -15 to -70 dBFS
- Height uptime
- 6.6%
- LFE uptime
- 8.4% (shown, not scored)
- Dynamic range
- 24.8 dB
- Channels used
- 16 of 16
- Genres
- Mystery, Thriller, Drama
- Tags
- crime, drama, mystery, thriller
- Audio
- Atmos
- Released
- 13 Oct 2016
- First listed
- 4 Dec 2018
- Sources
- PerceptualPro + BEQ
- Render
- older, corrected
Channel by channel, through the film
One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.
Front
L
73%
R
76%
C
94%
LFE
LFE
20%
Surround
Ls
36%
Rs
38%
Lrs
39%
Rrs
42%
Wide
Lw
8.4%
Rw
8.3%
Height
Ltf
14%
Rtf
14%
Ltm
4.8%
Rtm
4.6%
Ltr
9.5%
Rtr
8.3%
0:001:012:02
Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.