Atmos Bubble and boom! Index measured, not opinion

Hurry Up Tomorrow (2025)

DEMO 4.0 · BUBBLE 6.7 · BOOM 2.4 (with BEQ 6.3). Bass measured on the disc, DD+ Atmos. Directed by Trey Edward Shults. Thriller, Music.

Hurry Up Tomorrow (2025) poster
Front
71%
L70%
71%
R70%
100%
C80%
LFE
24%
LFE41%
Surround
39%
Ls56%
39%
Rs56%
10%
Lrs30%
10%
Rrs29%
Wide
1%
Lw3%
1%
Rw3%
Height
9%
Ltf22%
8%
Rtf21%
4%
Ltm12%
3%
Rtm11%
2%
Ltr8%
2%
Rtr8%

Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.

DEMO
4.0 / 10
Bubble
6.7 / 10
Boom, as released
2.4 / 10
Boom with BEQ
6.3 / 10
Measured release
Disc · DD+ Atmos · chart by mikejl
Deep bass peak, 10–30 Hz
-37.9 dBFS · with BEQ -22.3
Depth, 10–20 vs 30–60 Hz
-19.7 dB · with BEQ +0.5
Average level, 10–30 Hz
-68.8 dBFS · with BEQ -53.2
Minutes of deep bass
1 min · with BEQ 7 min at ≥ −30 dBFS
Filtered release
its BEQ restores up to 23.4 dB at 10–20 Hz
Tomatometer
14% · as of 2 Dec 2025
Metascore
29 / 100 · as of 3 Jul 2025
Chart scale read
-10 to -69.7 dBFS
Height uptime
11.3%
LFE uptime
24.7% (shown, not scored)
Dynamic range
27.9 dB
Channels used
16 of 16
Genres
Thriller, Music
Tags
musical, psychological thriller
Audio
DD+ Atmos
Released
14 May 2025
First listed
6 Jun 2025
Sources
PerceptualPro + BEQ
Render
older, corrected

Channel by channel, through the film

One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.

Front
L
70%
R
70%
C
79%
LFE
LFE
41%
Surround
Ls
56%
Rs
56%
Lrs
30%
Rrs
29%
Wide
Lw
2.6%
Rw
2.8%
Height
Ltf
22%
Rtf
21%
Ltm
12%
Rtm
11%
Ltr
8.0%
Rtr
7.8%
0:000:531:45

Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.

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