Hit Man (2024)
DEMO 1.4 · BUBBLE 2.5 · BOOM 0.8 (with BEQ 5.9). Bass measured on the disc, DD+ Atmos. Directed by Richard Linklater. Comedy, Romance, Crime.

Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.
- DEMO
- 1.4 / 10
- Bubble
- 2.5 / 10
- Boom, as released
- 0.8 / 10
- Boom with BEQ
- 5.9 / 10
- Measured release
- Disc · DD+ Atmos · chart by kaelaria
- Deep bass peak, 10–30 Hz
- -50.2 dBFS · with BEQ -26.1
- Depth, 10–20 vs 30–60 Hz
- -19.8 dB · with BEQ +4.3
- Average level, 10–30 Hz
- -82.2 dBFS · with BEQ -58.1
- Minutes of deep bass
- 0 min · with BEQ 3 min at ≥ −30 dBFS
- Filtered release
- its BEQ restores up to 36.6 dB at 10–20 Hz
- Tomatometer
- 95% · as of 27 Jan 2025
- Metascore
- 82 / 100 · as of 8 Oct 2024
- Chart scale read
- -10 to -110 dBFS
- Height uptime
- 3.5%
- LFE uptime
- 11.0% (shown, not scored)
- Dynamic range
- 19.4 dB
- Channels used
- 14 of 16
- Dead channels
- Ltr Rtr
- Genres
- Comedy, Romance, Crime
- Tags
- action comedy, black comedy, thriller
- Audio
- DD+ Atmos
- Released
- 5 Sep 2023
- First listed
- 7 Jun 2024
- Sources
- PerceptualPro + BEQ
- Render
- current
Channel by channel, through the film
One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.
Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.