Atmos Bubble and boom! Index measured, not opinion

Havoc (2025)

DEMO 3.0 · BUBBLE 1.9 · BOOM 4.8 (with BEQ 8.3). Bass measured on the disc, DD+ Atmos. Directed by Gareth Evans. Action, Crime, Thriller.

Havoc (2025) poster
Front
60%
L78%
62%
R79%
100%
C87%
LFE
14%
LFE46%
Surround
8%
Ls39%
9%
Rs41%
8%
Lrs38%
8%
Rrs41%
Wide
off
Lw 
off
Rw 
Height
0%
Ltf0%
0%
Rtf0%
0%
Ltm0%
0%
Rtm0%
0%
Ltr0%
0%
Rtr0%

Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.

DEMO
3.0 / 10
Bubble
1.9 / 10
Boom, as released
4.8 / 10
Boom with BEQ
8.3 / 10
Measured release
Disc · DD+ Atmos · chart by kaelaria
Deep bass peak, 10–30 Hz
-30.8 dBFS · with BEQ -20.6
Depth, 10–20 vs 30–60 Hz
-9.7 dB · with BEQ +4.7
Average level, 10–30 Hz
-56.0 dBFS · with BEQ -45.7
Minutes of deep bass
13 min · with BEQ 45 min at ≥ −30 dBFS
Filtered release
its BEQ restores up to 18.7 dB at 10–20 Hz
Tomatometer
64% · as of 19 Nov 2025
Metascore
57 / 100 · as of 3 Jul 2025
Chart scale read
-10 to -70.3 dBFS
Height uptime
0.0%
LFE uptime
29.9% (shown, not scored)
Dynamic range
16.4 dB
Channels used
14 of 16
Dead channels
Lw Rw
Genres
Action, Crime, Thriller
Tags
action, crime, drama, martial arts, thriller
Audio
DD+ Atmos
Released
25 Apr 2025
First listed
25 Apr 2025
Sources
PerceptualPro + BEQ
Render
older, corrected

Channel by channel, through the film

One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.

Front
L
78%
R
79%
C
87%
LFE
LFE
46%
Surround
Ls
39%
Rs
41%
Lrs
38%
Rrs
41%
Wide
Lw
unused
Rw
unused
Height
Ltf
0.1%
Rtf
0.1%
Ltm
0.2%
Rtm
0.2%
Ltr
0.3%
Rtr
0.3%
0:000:541:47

Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.

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