Atmos Bubble and boom! Index measured, not opinion

Halloween Kills (2021)

DEMO 6.1 · BUBBLE 5.4 · BOOM 6.9 (with BEQ 8.5). Bass measured on the streaming release (Peacock), DD+. Directed by David Gordon Green. Horror, Thriller.

Halloween Kills (2021) poster
Front
41%
L55%
41%
R57%
100%
C90%
LFE
27%
LFE43%
Surround
22%
Ls42%
22%
Rs43%
6%
Lrs14%
6%
Rrs15%
Wide
4%
Lw10%
4%
Rw9%
Height
4%
Ltf6%
4%
Rtf6%
4%
Ltm13%
4%
Rtm12%
1%
Ltr3%
1%
Rtr3%

Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.

DEMO
6.1 / 10
Bubble
5.4 / 10
Boom, as released
6.9 / 10
Boom with BEQ
8.5 / 10
Measured release
Streaming (Peacock) · DD+ · chart by aron7awol
Deep bass peak, 10–30 Hz
-24.7 dBFS · with BEQ -19.5
Depth, 10–20 vs 30–60 Hz
-6.5 dB · with BEQ +2.4
Average level, 10–30 Hz
-48.3 dBFS · with BEQ -43.0
Minutes of deep bass
44 min · with BEQ 50 min at ≥ −30 dBFS
Filtered release
its BEQ restores up to 12.0 dB at 10–20 Hz
Tomatometer
38% · as of 29 Nov 2022
Metascore
42 / 100 · as of 11 Oct 2025
Chart scale read
-5 to -65.3 dBFS
Height uptime
4.4%
LFE uptime
27.2% (shown, not scored)
Dynamic range
33.2 dB
Channels used
16 of 16
Genres
Horror, Thriller
Tags
horror, slasher
Audio
DD+, Atmos, DD+ 5.1
Released
14 Oct 2021
First listed
15 Oct 2021
Sources
PerceptualPro + BEQ
Render
older, corrected

Channel by channel, through the film

One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.

Front
L
55%
R
57%
C
90%
LFE
LFE
43%
Surround
Ls
42%
Rs
43%
Lrs
14%
Rrs
15%
Wide
Lw
9.6%
Rw
8.8%
Height
Ltf
6.2%
Rtf
5.5%
Ltm
13%
Rtm
12%
Ltr
3.4%
Rtr
2.8%
0:000:531:45

Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.

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