Atmos Bubble and boom! Index measured, not opinion

Everest (2015)

DEMO 5.7 · BUBBLE 7.0 · BOOM 4.7 (with BEQ 6.9). Bass measured on the disc, Atmos. Directed by Baltasar Kormákur. Adventure, Drama, Action.

Everest (2015) poster
Front
55%
L78%
57%
R78%
100%
C98%
LFE
20%
LFE44%
Surround
32%
Ls69%
33%
Rs68%
21%
Lrs60%
19%
Rrs58%
Wide
1%
Lw4%
1%
Rw5%
Height
4%
Ltf11%
4%
Rtf10%
5%
Ltm19%
5%
Rtm18%
4%
Ltr10%
4%
Rtr10%

Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.

DEMO
5.7 / 10
Bubble
7.0 / 10
Boom, as released
4.7 / 10
Boom with BEQ
6.9 / 10
Measured release
Disc · Atmos · chart by aron7awol
Deep bass peak, 10–30 Hz
-27.6 dBFS · with BEQ -20.9
Depth, 10–20 vs 30–60 Hz
-15.2 dB · with BEQ -2.3
Average level, 10–30 Hz
-55.3 dBFS · with BEQ -48.6
Minutes of deep bass
11 min · with BEQ 23 min at ≥ −30 dBFS
Filtered release
its BEQ restores up to 14.4 dB at 10–20 Hz
Tomatometer
73% · as of 9 May 2024
Metascore
64 / 100 · as of 13 Feb 2024
Chart scale read
-10 to -69.9 dBFS
Height uptime
10.0%
LFE uptime
27.7% (shown, not scored)
Dynamic range
27.7 dB
Channels used
16 of 16
Genres
Adventure, Drama, Action
Tags
action, adventure, biographical, disaster, drama, survival
Audio
Atmos
Released
10 Sep 2015
First listed
4 Dec 2018
Sources
PerceptualPro + BEQ
Render
older, corrected

Channel by channel, through the film

One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.

Front
L
78%
R
78%
C
98%
LFE
LFE
44%
Surround
Ls
69%
Rs
68%
Lrs
60%
Rrs
58%
Wide
Lw
4.1%
Rw
4.6%
Height
Ltf
11%
Rtf
10%
Ltm
19%
Rtm
18%
Ltr
10%
Rtr
10%
0:001:012:01

Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.

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