Atmos Bubble and boom! Index measured, not opinion

Con Air (1997)

DEMO 2.8 · BUBBLE 6.2 · BOOM 1.3 (with BEQ 7.5). Bass measured on the disc, DD+ Atmos. Directed by Simon West. Action, Thriller, Crime.

Con Air (1997) poster
Front
56%
L85%
59%
R86%
100%
C97%
LFE
18%
LFE47%
Surround
15%
Ls46%
15%
Rs48%
17%
Lrs55%
18%
Rrs57%
Wide
0%
Lw0%
0%
Rw0%
Height
0%
Ltf0%
0%
Rtf0%
11%
Ltm36%
12%
Rtm39%
0%
Ltr0%
0%
Rtr0%

Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.

DEMO
2.8 / 10
Bubble
6.2 / 10
Boom, as released
1.3 / 10
Boom with BEQ
7.5 / 10
Measured release
Disc · DD+ Atmos · chart by kaelaria
Deep bass peak, 10–30 Hz
-42.8 dBFS · with BEQ -20.0
Depth, 10–20 vs 30–60 Hz
-27.8 dB · with BEQ +0.9
Average level, 10–30 Hz
-71.3 dBFS · with BEQ -48.5
Minutes of deep bass
3 min · with BEQ 32 min at ≥ −30 dBFS
Filtered release
its BEQ restores up to 37.4 dB at 10–20 Hz
Tomatometer
58% · as of 14 Aug 2024
Metascore
52 / 100 · as of 14 Jul 2025
Chart scale read
-10 to -70.3 dBFS
Height uptime
12.7%
LFE uptime
47.4% (shown, not scored)
Dynamic range
21.5 dB
Channels used
16 of 16
Genres
Action, Thriller, Crime
Tags
action, LGBTQ-related, prison, thriller
Audio
LPCM 5.1, DD+ 5.1, DD 5.1, DD+ Atmos
Released
6 Jun 1997
First listed
13 Jan 2022
Sources
PerceptualPro + BEQ
Render
current

Channel by channel, through the film

One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.

Front
L
85%
R
86%
C
97%
LFE
LFE
47%
Surround
Ls
46%
Rs
48%
Lrs
54%
Rrs
57%
Wide
Lw
0.3%
Rw
0.3%
Height
Ltf
0.3%
Rtf
0.4%
Ltm
36%
Rtm
39%
Ltr
0.1%
Rtr
0.1%
0:000:581:56

Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.

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