Boy Kills World (2024)
DEMO 5.2 · BUBBLE 6.2 · BOOM 4.4 (with BEQ 7.7). Bass measured on the disc, Atmos. Directed by Moritz Mohr. Thriller, Crime, Adventure, Action.

Bar and top figure — level against the film’s most active channel. Bottom figure — share of the runtime the channel carries signal.
- DEMO
- 5.2 / 10
- Bubble
- 6.2 / 10
- Boom, as released
- 4.4 / 10
- Boom with BEQ
- 7.7 / 10
- Measured release
- Disc · Atmos · chart by kaelaria
- Also in the catalogue
- Disc · DD+ — not measured here
- Deep bass peak, 10–30 Hz
- -30.3 dBFS · with BEQ -19.4
- Depth, 10–20 vs 30–60 Hz
- -10.2 dB · with BEQ +5.1
- Average level, 10–30 Hz
- -60.4 dBFS · with BEQ -49.6
- Minutes of deep bass
- 7 min · with BEQ 26 min at ≥ −30 dBFS
- Filtered release
- its BEQ restores up to 22.5 dB at 10–20 Hz
- Tomatometer
- 59% · as of 15 Jan 2025
- Metascore
- 47 / 100 · as of 8 Jan 2025
- Chart scale read
- -10 to -89.5 dBFS
- Height uptime
- 19.1%
- LFE uptime
- 21.3% (shown, not scored)
- Dynamic range
- 22.4 dB
- Channels used
- 16 of 16
- Genres
- Thriller, Crime, Adventure, Action
- Tags
- action, dystopian fiction, science fiction
- Audio
- Atmos, DD+
- Released
- 24 Apr 2024
- First listed
- 21 May 2024
- Sources
- PerceptualPro + BEQ
- Render
- older, corrected
Channel by channel, through the film
One lane per speaker, the whole film from left to right. Bar height is how loud that speaker gets (square-root scale against this film's loudest moment, so quiet passages stay visible). The amber line under a lane marks the moments counted as playing, and the figure on the right is their share of the film. For the six height speakers that share is part of BUBBLE.
Read from PerceptualPro's channel-activity graph, pixel by pixel. A lane marked unused never rises out of its line.